Thank you for stopping by to learn more about me and my work. My favorite way to talk about what I do is to say, 

I incite and inspire sublime new forms of Art, structures, and communal systems that break the brutal boundaries of the colonial imagination.

What does that mean? Well, many things! 

I was called by my Ancestors to help uplift x repair the great rift of the middle passage across the waters through deep study, ritual, and dreamtime remembrance. In loving refusal and determined defiance of the subtle and overt violence of the status quo, I invite others into spaces that envision and evoke *their* Ancestral power + remembrance through psychic and creative healing, ritual with nature, and recollecting, recording, reclaiming and ritualizing dreams. I do this because I believe that if we all become students of our Ancestors and truly AWAKE in our Dreams once again, as was once the way… 

In this togetherness, we find our liberation. 

By training, I am an Artist (MFA, Dramaturgy), initiated iSangoma Priestess (Ubungoma path) and author/devoted* vessel of the widely-praised show turned book, SKiNFOLK.

I have about 15 years of Artistic public practice behind me, however many I am granted in front of me, and continue to spiral deeper into the slow and deliberate path and practice of the Ancestral Arts. I have and will continue to move both above and underground; healing from the university commons to the undercommons, leading from my computer and my compass in the bush; teaching as a scholar and an Ancestral archivist; humbling listening, praying, traveling, singing, and bridging as my Hoodoo Ancestors have—hidden in plain sight.